Civic Engagement and the Arts Issues of Conceptualization and Measurement

About PAIR

Public Artists in Residence (PAIR) is a municipal residency program that embeds artists in metropolis authorities to suggest and implement creative solutions to pressing civic challenges. Launched in the fall of 2015, PAIR takes its inspiration and its name from the pioneering piece of work of artist Mierle Laderman Ukeles, the showtime official (unsalaried) artist-in-residence with the New York City Department of Sanitation (DSNY), 1977 – present.

PAIR is based on the premise that artists are creative problem-solvers. They are able to create long-term and lasting impact by working collaboratively and in open-ended processes to build community bonds, open channels for two-way dialogue, and reimagine realities to create new possibilities for those who experience and participate in the work.

Through a serial of conversations, DCLA and a partner Metropolis Agency decide on a broad population, challenge, and/or goal the partner agency wishes to focus on. With Commissioner-level support, DCLA issues an open call for artists or recommends artists based on artistic excellence and demonstrated cognition of the particular social bug addressed in the residency. The final artist choice is made in partnership with both agencies.

Each PAIR is a minimum of one year. The residency begins with a inquiry stage, during which the artist spends time at the bureau meeting staff and learning about its operations and initiatives while also introducing their art practice and process to bureau staff. The research phase concludes with a proposal from the artist outlining 1 or more public-facing participatory projects that will exist implemented in partnership with the agency. Artists receive a fee, as well as in-kind resources such as desk space with the partner bureau, an access to DCLA'south Materials for the Arts.

The PAIR program is fabricated possible by funds from the City of New York with occasional, residency-specific support provided by private philanthropic sources.

Current Public Artists in Residence (PAIRs) - 2021-2022

Melanie Crean + NYC Department of Blueprint and Construction (DDC)

Melanie Crean is an artist and educator whose creative exercise focuses on the relationship between systems of control, the body and concepts of time. Working primarily with photography, video, experimental narrative and participatory exercise, she researches how architectures of power are represented in media, civilization and engineering science, and explores how these structures tin can be challenged and re-patterned. Crean is an Associate Professor of Fine art, Media and Technology and current director of the BFA Blueprint and Technology program at Parsons Schoolhouse of Design.

Melanie joins the DDC to assistance transform a structure site into a platform for exploring, imagining, creating, and enacting connections between neighbors and the public works that bear upon a neighborhood. Going into her residency, Melanie asks, "how are social and personal narratives inscribed in the built surround, and how might communities surface these stories to preserve them and inform the blueprint procedure of evolving a site? How can we shift the idea of who is an practiced urbanist; so that architects don't merely present completed designs to local communities for commentary at the end of the procedure, but rather larn from them from the showtime? What perspective and shift in power dynamic might community-driven co-design strategies offer agencies and professions that are predominantly hierarchical in construction?"

sTo Len + NYC Section of Sanitation (DSNY)

sTo Len is a Queens based artist with interests in printmaking, installation, audio, video and functioning. The cross-disciplinary nature of Len's piece of work has included printmaking with polluted waterways, embedding a 12-office video into a virtual 3D browse of FreshKills Park, dissemination pirate radio shows, reclaiming public space for art studios, recycling waste into art materials, and hosting events at Superfund sites. Len was the kickoff artist in residence at AlexRenew Wastewater Handling facility in Virginia and is a member of Works on Water, a group of artists and activists working with and about water in the face of climatic change and environmental justice concerns.

sTo was invited to DSNY to bring dignity, respect, and appreciation to the bureau's critical but often invisible workforce that makes life in New York City possible. Every bit a starting point, sTo says, "I am interested in examining aesthetic ways to cultivate a regenerative relationship between the public and the DSNY in order to help dispel the myth of "out of sight, out of heed." I believe nosotros must acknowledge our ain waste material stream and the essential work of the DSNY by giving them poetic visibility. How might we re-imagine our attitudes toward waste as fertile ground for change? How can we alter our feel of sanitation piece of work to free it from "muddy work" and requite it a renewed symbolic power that incites care? How can rituals help us waste matter amend?"

Kameron Neal + NYC Department of Records and Information Services

Kameron Neal is a multidisciplinary artist working at the intersections of video, functioning, and blueprint. A Princess Grace Awardee and NYSCA/NYFA Fellow, Kameron is interested in exploring how video can move across the screen and interact with existent space and existent people in existent time. This oft takes the form of big-scale public projections, installations, and collaborations with artists that work in the theater, in music, and in dance. Kameron's work has been presented by a variety of institutions including The Public Theater, BAM, Ars Nova, Digital Graffiti, CultureHub, New Orleans Film Festival, and the Smithsonian's Hirshhorn Museum. Come across photos of Kameron Neal and their past piece of work here.

At DORIS, Kameron volition imagine new ways to access, nowadays, and use a vast store of newly-digitized video content from the 1970'due south and 80's that captured pivotal events of the era. In anticipation of this work, Kameron says: "in a moment when people are thinking critically most the function of policing in our communities, how am I, a blackness queer artist, uniquely positioned to repossess and repurpose NYPD surveillance footage that framed my people "enemies of the status quo"? Equally an creative person that works at the intersections of video, design, and performance, I'm interested in using applied science to breathe new life into stories from our city'south past. If the annal is documentation of the people, how can it better serve the people? I'k interested in inviting customs to participate in the creation of a new kind of archive."

Past Public Artists in Residence (PAIRs)

Listed alphabetically by artists' last name.

Yazmany Arboleda

Yazmany Arboleda is a Colombian American artist based in New York City. An architect by training, Yazmany's practice focuses on creating "Living Sculptures," people coming together to transform the earth through co-cosmos. Over the by two decades he has created public art projects with communities in Bharat, Japan, Kenya, Tanzania, Uganda, South Africa, Afghanistan, Spain, Colombia and the The states. He has collaborated with Carnegie Hall, the Yale School of Management, and BRIC amidst others. He is currently the artist in residence at IntegrateNYC and the associate director of communications for Artists Striving To Stop Poverty. He is a cofounder of the Future Historical Order, and the Artist As Denizen Conference. He has lectured at UNC, MIT, and LPAC nearly the power of art in public space. To larn more about Yazmany, visityazmany.net.

While engaged with the Civic Date Commission, Yazmany created The People'south Motorcoach, a community center on wheels designed to engage New Yorkers in borough life through beauty and joy.

New York Announces Latest Public Fine art Projects: "Artists Are Creative Trouble Solvers."
Posted: August 27, 2020 by Forbes
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An Artist Repurposed a Corrections Vehicle to Encourage New Yorkers to Vote

Published on June fourteen, 2021 by Hyperallergic

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Rachel Barnard

Rachel Barnard is a social practice creative person formally trained as an architect. She was in residence with the Section of Probation (DOP) in 2018.In 2012 she founded Young New Yorkers (YNY), an arts diversion program for teens existence prosecuted as developed in criminal court. To appointment over 600 young people accept been sentenced to brand fine art at YNY instead of jail or other adult sanctions. Nearly participants have had their developed criminal cases dismissed and sealed. Barnard's art practice brings large groups of people together from diverse, and oftentimes adversarial, communities to create new spaces of belonging. She worked with DOP to build trust, strengthen relationships, and improve advice and engagement betwixt probation officers and the people under their supervision. DOP and Barnard sought to find means to overcome the stigma of justice arrangement interest, which tin damage their constituents' relationships with family unit and community while also posing barriers to opportunities such as employment and housing.

NYC DEPARTMENT OF CULTURAL Affairs ANNOUNCES FOUR NEW PUBLIC ARTISTS IN RESIDENCE
Posted: January 23, 2018
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"Four New Public Artists in Residence Appointed by NYC Department of Cultural Diplomacy"
Published: January 23, 2018 by Artnews
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Tania Bruguera

"CycleNews" featuring Mujeres en Movimiento; a projection developed by Tania Bruguera for PAIR.

Tania Bruguera was in residence with the Mayor's Function of Immigrant Affairs (MOIA) in 2015A politically motivated performance artist, Tania Bruguera explores the relationship between art, activism, and social alter in works that examine the social effects of political and economic ability. By creating proposals and artful models for others to use and adapt, she defines herself equally an initiator rather than an author, and often collaborates with multiple institutions likewise every bit many individuals so that the total realization of her artwork occurs when others adopt and perpetuate it. Advancing the concept of arte útil (literally translated to useful art; fine art as a do good and a tool), she proposes solutions to sociopolitical problems through the implementation of art, and has developed long-term projects that include a community center and a political party for immigrants, and a school for behavior art.

For her PAIR residency, Tanya asked the question: how tin immigrant communities begin to trust the government and how, in turn, will the government demonstrate that it trusts immigrant communities? To address this question, Bruguera joined forces with long-fourth dimension collaborators Mujeres en Movimiento, who use tactics from fine art and customs organizing to abet for neighborhood improvements, as well equally Kollektiv Migrantas, a participatory design collective specializing in migrant rights. Together, the group created CycleNews, a ii-way bike messenger service to communicate trusted, outset-mitt information between city agencies and immigrant communities.

For CycleNews, the Mujeres trained with MOIA to develop strategies to brainwash and engage immigrant residents about rights and services bachelor to them through MOIA. Working with the Kollektiv Migrantas, Bruguera, the Mujeres, MOIA, and DCLA co-created picture-based materials outlining critical MOIA services to share with the Corona customs. Every weekend for the duration of CycleNews, the Mujeres became artistic bike messengers, delivering this particularly-crafted information on acid yellow CycleNews bicycles. Every bit messengers, the Mujeres served as direct points of contact betwixt immigrant communities and authorities institutions and bring first-hand feedback, ideas, hopes, and fears to Metropolis officials.

NYC Section OF CULTURAL Diplomacy AND MAYOR'S Part OF IMMIGRANT Diplomacy Announce TANIA BRUGUERA As Creative person ‐ IN ‐ RESIDENCE
Posted: July 14, 2015
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NYC MAYOR'S Role OF IMMIGRANT Affairs, DEPARTMENT OF CULTURAL Affairs' PUBLIC Artist IN RESIDENCE TANIA BRUGUERA LAUNCHES "CYCLENEWS"
Posted: Tuesday May 30, 2017
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"Tania Bruguera Launches Bicycle-Based Project to Improve Ties Between Immigrants and NYC Government"
Published: May 30, 2017 past artnet
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Onyedika Chuke

Onyedika Chuke was in residence with the Department of Correction (Md), Rikers Isle in 2018. Onyedika Chuke is a New York-based American sculptor and archivist built-in in Onitsha, Nigeria. His largest body of work titled The Forever Museum Annal (2011-nowadays), is a disquieting collection of objects, text and images in which Chuke analyze social, cultural and political structures. He is a graduate of The Cooper Matrimony for the Advancement of Scientific discipline and Fine art.

During his PAIR residency with the Department of Correction (DOC), Onyedika worked with individuals on Rikers Island facing extremely challenging and traumatic circumstances to alleviate the negative bear on of criminal punishment, create admission to art, and open dialogue betwixt policymakers and those in their custody.

NYC Section OF CULTURAL AFFAIRS ANNOUNCES FOUR NEW PUBLIC ARTISTS IN RESIDENCE
Posted: January 23, 2018
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"Four New Public Artists in Residence Appointed by NYC Department of Cultural Affairs"
Published: January 23, 2018 by Artnews
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Sophia Dawson

Sophia Dawson is a Brooklyn based visual artist and muralist who has defended her life's piece of work to exposing the stories and experiences of individuals who are striving to overcome the injustices they face. Examples of past work includeEvery Mother'southward Son, highlighting mothers who have lost their children to police brutality and racism in the US;Cardinal Park 5, which raised sensation of and gain support for their suit against New York City; andKnow Your Rights, washed in partnership with Picture the Homeless and Peoples' Justice and 80 community members. She also participated in painting the Black Lives Affair murals on the streets of NYC. To learn more almost Sophia, visitwww.sophia-Dawson.com

Approaching her residency with the Mayor's Part of Criminal Justice, Sophia writes:

"How tin can a community shift the gaze on their individual and collective narratives by telling their own stories? What new perspectives does this shift offer for members of that customs and for others? My practice is multi-faceted and Spirit led. I facilitate transformation, advocacy and awareness through collaborative and independent art initiatives. Every individual and issue portrayed in my piece of work demands from me different levels of activeness, activism and customs engagement. The ultimate goal is to humanize their struggle through art. The almost challenging office near my work is being tasked to shift people's minds and demand that people unlearn and relearn the truth about the individuals in my work. That transformation is what I await frontwards to most."

New York Announces Latest Public Art Projects: "Artists Are Creative Problem Solvers."
Posted: August 27, 2020 by Forbes
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Bryan Doerries

Bryan Doerries was in residence with the Department for Veteran's Services from 2017 to 2018. Bryan Doerries is a Brooklyn-based writer, director, and translator. A self-described evangelist for classical literature and its relevance to our lives today, Doerries uses historic period-old approaches to help individuals and communities heal from trauma and loss. He is the co-founder of Theater of War Productions, which presents programs that address the enduring impact of state of war too as broader community issues such as gun violence, mental wellness, habit, prison reform, sexual assail and domestic violence.

For his PAIR residency, Doerries partnered with the Section for Veteran's Services (DVS) and the Brooklyn Public Library (BPL) to engage both veterans and civilians in customs-specific performances that fostered health and healing through open discussion and commutation. Between Jan 2017 and December 2018, the gratuitous performances took place in more threescore venues beyond New York, including public libraries, homeless shelters, public schools, and cultural organizations with each tailored to the needs of different communities.

Learn more nearly the projection hither and here

"Theater of War Director Named New York City Artist in Residence"
Published: March 2, 2017 by The New York Times
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Tatyana Fazlalizadeh

An installation by Tatyana Fazlalizadeh during her PAIR residency, at IMPACCT Brooklyn, 1224 Bedford Ave, Brooklyn, NY 11216, May 2019

Tatyana Fazlalizadeh was in residence with the NYC Commission on Homo Rights (CCHR) from 2018 to 2019. Recognizing that culture can be a powerful tool for combating deep-seated issues like anti-Black racism, the Commission partnered with creative person Tatyana Fazlalizadeh through the PAIR program to engage New Yorkers in a conversation about anti-Blackness and gender-based street harassment. Fazlalizadeh is a Black/Iranian visual artist and Oklahoma City native. Her project, Cease Telling Women to Grinning, is a street art series that tackles gender-based street harassment around the earth. Her piece of work tin be institute on walls from New York to Paris, Los Angeles to United mexican states City, and more, amassing international attention for tackling violence against women in public spaces. Tatyana has been profiled by the New York Times, NPR, MSNBC, the New Yorker, Time Magazine, and listed as ane of Brooklyn's most influential people by Brooklyn Mag. Tatyana's work tin can currently be seen on Spike Lee'south Netflix series, She's Gotta Have It, for which she is besides the show's Art Consultant. She is working on her first book, Stop Telling Women to Smiling, with Seal Press. She currently lives and works in Brooklyn, NY

Over the course of her xviii-calendar month residency with the Committee, Fazlalizadeh installed a series of large-calibration murals and installations in Brooklyn, the Bronx, Queens, and Manhattan featuring powerful imagery of New Yorkers whom she and the agency had engaged on these issues. Both the text and the imagery featured in the murals were informed by a serial of community conversations Fazlalizadeh and the Committee conducted in partnership with Bronx Defenders, Girls for Gender Equity, YWCA Brooklyn, GRIOT Circle, Weeksville Heritage Center, Jamaica NAACP, New Settlement Customs Centers and others. The Commission's 2018-2019 PAIR partnership with Fazlalizadeh represents an of import effort to bring attending to man rights challenges faced by New Yorkers through the arts.

NYC Department OF CULTURAL AFFAIRS ANNOUNCES FOUR NEW PUBLIC ARTISTS IN RESIDENCE
Posted: January 23, 2018
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Past projects can be establish here

"Four New Public Artists in Residence Appointed by NYC Section of Cultural Affairs"
Published: January 23, 2018 by Artnews
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"New York City is Teaming Upwardly with an Activist Artist in the Fight Confronting Street Harassment"
Published: March 26, 2018 by The Cut
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Ebony Noelle Golden

Ebony Noelle Gilt was in residence with the Mayor's Office to End Gender-Based Violence (ENDGBV) in 2018. Ebony Noelle Golden is a South Bronx-based artist and cultural strategist who stages site-specific rituals and alive art productions that profoundly explore the complexities of liberty in the time of now. Ebony is also the founder of Betty's Daughter Arts Collaborative, a cultural consultancy and arts accelerator serving the arts & civilization sector for shut to a decade. Her creative work has been presented at Judson Memorial Church building, National Blackness Theatre, Hayti Heritage Center, DC Arts Center, and the Bronx Academy of Arts and Trip the light fantastic toe among others. Her curatorial projects have been presented at Brooklyn Museum, New York University, Alternate Roots, and The Brecht Forum among others.

NYC DEPARTMENT OF CULTURAL Affairs ANNOUNCES FOUR NEW PUBLIC ARTISTS IN RESIDENCE
Posted: January 23, 2018
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"Four New Public Artists in Residence Appointed past NYC Section of Cultural Affairs"
Published: January 23, 2018 by Artnews
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The Lost Collective

The Lost Collective was in residence with the Administration for Children's Services (ACS) from 2016 to 2017. The Lost Collective is a grouping of 4 artists – Keelay Gipson, Rebeca Rad, Josh Adam Ramos, and Britton Smith – who accept all-encompassing experience in New York theater every bit actors, directors, writers, musicians, producers, educators, and mentors. Their practice is rooted in the intersection of art and activism, and their work is focused on the voices of underrepresented populations, including people of color and the LGBTQ community. The collective mounted two productions of a play entitled The Lost in 2014 and 2015 that used spoken word verse and hip hop/R&B music to tell a story about youths at the margins of guild and their struggle to create a infinite for themselves.

For their PAIR with the Administration for Children'south Services (ACS), the Collective worked with 30 LGBTQ+ youth in five group homes across the City to create infinite for artistic expression and artistic agency. The youth delved into a range of projects, from self-portraiture, to voguing, to cooking, to martial arts, to autobiographical music videos. The Lost Collective congenital meaningful relationships with the youth, exposing them to creative happenings, practices, and other artists in NYC. The residency culminated in a public exhibition of piece of work by the youth, including performances of original music and screenings of experimental films, at the Nuyorican Poet's Café.

NYC Section OF CULTURAL AFFAIRS AND NYC Assistants FOR CHILDREN'S SERVICES ANNOUNCE Selection OF THE LOST COLLECTIVE FOR Creative person RESIDENCY SERVING LGBTQ YOUTH IN FOSTER CARE FACILITIES
Posted: June 30, 2016
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"Meet the Commonage That's Connecting LGBTQ Foster Youth With the Arts"
Published: June thirty, 2016 past The Observer
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Taja Lindley

Taja Lindley is an artist, healer, and activist based in New York City. She is currently in residence with the Department of Wellness and Mental Hygiene (DOHMH). Through iterative and interdisciplinary practices, she creates socially engaged artwork that transforms audiences, shifts civilization, and moves people to action. She uses movement, text, installation, ritual, burlesque, and multi-media to create immersive works that are concerned with freedom, healing, and pleasure. Her performances, films, and installations accept been featured at Brooklyn Museum; La Mama Theater; New York Live Arts; the American Repertory Theater at Harvard University; the Philbrook Museum in Tulsa, Oklahoma; the Carver Museum in Austin, Texas; the Hammer Museum in Los Angeles, California; and more than. She is the founder of Colored Girls Hustle and a member of Echoing Ida and Harriet'southward Apothecary. In add-on to being an artist, Lindley is actively engaged in social movements as a author, consultant, and facilitator. About recently, she served as a Sexual and Reproductive Justice Consultant at DOHMH, facilitating a community-driven process that created The New York City Standards for Respectful Care at Birth.

Every bit a PAIR at DOHMH'south Middle for Health Equity, Lindley uses community engagement strategies that deepens the collective agreement of how racism and gender oppression touch on birth outcomes. Working out of the Tremont Neighborhood Health Activeness Heart, she is exploring how the voices of pregnant and parenting Blackness people in the Bronx tin advance reproductive justice and inform changes in medical practices and government policies.

NYC DEPARTMENT OF CULTURAL AFFAIRS ANNOUNCES FOUR NEW PUBLIC ARTISTS IN RESIDENCE
Posted: Apr v, 2019
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Artists equally 'Creative Trouble-Solvers' at City Agencies
Published: The New York Times, Apr 5, 2019
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Mary Miss

Mary Miss was in residence with the Department of Design and Construction (DDC) in 2016. Mary Miss has reshaped the boundaries between sculpture, architecture, landscape design and installation art past articulating a vision of the public sphere where information technology is possible for an artist to address the issues of our fourth dimension. Her installations focus on social, cultural and environmental sustainability to reveal history, environmental or aspects of sites that have gone unnoticed. In addition to the ongoing initiative BROADWAY: 1000 Steps, she recently completed a project for the Indianapolis Museum of Art focusing on a 6-mile stretch of the White River. Miss was one of four artists who developed concepts for envisioning the time to come of Long Island City as part of the exhibition, Civic Action: A Vision for Long Island Metropolis at the Noguchi Museum and Socrates Sculpture Park. She has received grants from the NEA, NOAA, and the National Science Foundation. In 2012 she was awarded NYC Design Commission'south Honour for Excellence in Design for The Passage: A Moving Memorial on Staten Island.

Miss worked within the Department of Design and Construction (DDC) in an informational chapters, to identify "as many routes equally possible to engage artists in reimagining cities for the 21st century." She held several public discussions and workshops with DDC staff to brainstorm entry points for artists to create temporary works throughout the design and construction process.

Mary Miss Named Starting time New York Urban center Department of Design and Construction Artist-in-Residence
Exploring the intersection of art, architecture and public pattern
Posted: June 13, 2016
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"Decoding the City: An interview with Mary Miss, DDC artist-in-residence"
Published: May 26, 2017 by NYC ten Design
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Laura Nova

PAIR Laura Nova'south (right) "Spiels on Wheel" operation at Art in Odd Places, equally part of her residency with Department for the Aging, 2019.

Artist, athlete, and activator Laura Nova generates site-specific activity-oriented projects which invite participatory energies of neighbors and strangers alike, peculiarly inside the urban landscapes of older adult and migrant communities. She is currently in residence with the Department for the Aging (DFTA). Novauses cardio, comedy and cooking to create activ/ist audiences who, in plow, reveal and preserve stories of both people and places. Recent commissions have included multi-year social engagement projects such as Silverish Sirens, an older adult cheerleading squad championing healthcare, gender equity, and anti-ageism; and Moving Stories, a senior-led storytelling and walking tour. Nova has shown her work at national and international venues, including the New Museum'south IdeasCity Festival, the River to River Festival, the Brooklyn Museum, the Metropolitan Museum of Art, Real Art Ways, Substation Gallery in Johannesburg, South Africa and the National Arts Center in Tokyo, Japan. She is an Associate Professor of Artistic Arts and Technology at Bloomfield College.

Nova's PAIR collaboration with the Section for the Crumbling (DFTA) is deepening the City's understanding of ageism and its bear on on older New Yorkers. She is challenging societal misconceptions effectually historic period and discrimination embedded in language, social practices, policies, and institutions. Her creative solutions seek to help DFTA further its mission of eliminating ageism and ensuring the dignity and quality of life of NYC's diverse older adults, get-go with its own bureau staff.

NYC Department OF CULTURAL Diplomacy ANNOUNCES FOUR NEW PUBLIC ARTISTS IN RESIDENCE
Posted: April 5, 2019
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"Artists equally 'Creative Problem-Solvers' at City Agencies"
Published: The New York Times, Apr v, 2019
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"This Performance Invites You lot to Ship Postcards to Older New Yorkers"
Published: Hyperallergic, October 18, 2019
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Amanda Phingbodhipakkiya

Born in Atlanta to Thai and Indonesian immigrants, Amanda studied neuroscience at Columbia and worked at an Alzheimer's research lab before becoming a full-time artist, educator, and activist based in Brooklyn, NY. Her explorations of feminism, science, and community accept reclaimed space in museums and galleries, at protests and rallies, on buildings, highway tunnels, and subway corridors, equally well as on the mainstage of 2 TED conferences. Her work has been featured in the New York Times, the Guardian, and on the comprehend of TIME magazine. In 2020-2021, she was the Public Artist in Residence with the NYC Commission on Man Rights and her piece of work has since been acquired into the permanent drove of the Victoria and Albert Museum & the Library of Congress.

During her residency with the Commission on Human Rights, Amanda focused on the concept of "family," broadly divers. In response to the COVD19 pandemic and the rise in anti-Asian hate and bigotry, she created two large scale public works:

"I Nevertheless Believe in Our City"

"May We Know Our Own Strength"

New York Announces Latest Public Art Projects: "Artists Are Creative Trouble Solvers."
Posted: August 27, 2020 by Forbes
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'I Still Believe in Our City': A Public Art Series Takes On Racism

Published Nov. 2, 2020 by The New York Times
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Social Design Collective and Christine Tinsley

Social Design Collective (SDC) and Christine Tinsley were in residence with the Department of Veteran's Services in 2015. Social Pattern Collective (SDC) is an art and design collaborative founded and led past Jules Rochielle Sievert. This residency was done in collaboration with artist and veteran Christine Tinsley. Sievert has navigated terrain between art, functioning, social justice, collective fine art exercise, and applied design for over 10 years. SDC uses a variety of art and outreach strategies to build community partnerships and networks that suffer long subsequently the artistic engagement ends.

Social Design Collective (SDC) worked with DVS to foster and engage a community of women veterans, a historically underserved population. During their twelvemonth-long residency, SDC and Tinsley worked with The Harlem Vet Center to produce the beginning women veterans conference in New York City with over 200 participants, hosted a series of LGTBIQ-focused potlucks for veterans, and created an extensive network of veteran artist advancement groups. Sievert led website and digital literacy classes to women veterans, and Tinsley photographed and interviewed NYC-based women veterans for her ongoing projection SisterVet: Stories from Sisters, Sailors and Soldiers.

"Female person Veterans to Collaborate with Artists in Harlem"
Published: November 8, 2015 by The Wall Street Journal
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Andre D. Wagner

Andre D. Wagner is a photographer living and working in Brooklyn, New York. He explores and chronicles the poetic and lyrical nuances of daily life, using metropolis streets, neighborhoods, parades, public transportation and the youth of the 20 first century as his visual linguistic communication. He particularly centers Blackness people and their lived experience in New York City. His photographs accept been commissioned by The New Yorker, The New York Times, The Cut, The Wall Street Journal, The Washington Post, WSJ, Time Magazine andVogue, amid other publications. To learn more about Andre, visithttps://andredwagner.com/

While embedded with the Human Rights Committee, Andre created the multi-platform project:

"Yous Do It With Your Heart"

You lot Do It With Your Heart highlights the economic ability of Black New Yorkers and the cultural significance of Blackness-endemic businesses, which have long been a cornerstone of New York City neighborhoods. In this new multimedia serial, Black business owners share their backgrounds, and discuss how they accept been afflicted past the economy, COVID-19, and growing gentrification. Their oral histories play over Andre's stunning images.

New York Announces Latest Public Art Projects: "Artists Are Artistic Problem Solvers."
Posted: Baronial 27, 2020 past Forbes
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Metropolis Multimedia Series Celebrates Black Brooklyn Business organization Resilience

Published on April five, 2021 by The Brooklyn Paper

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Julia Weist

Julia Weist is currently in residence with the Department of Records and Information Services (DORIS). Since pursuing her MLIS degree, New York-based creative person Julia Weist's artistic practice has centered around archives, collections, and information resource. She uses them to explore the relationship between media production and cultural context, and to empathise how the velocity of data originates in its accessibility. Her work has recently been exhibited at the Queens Museum (New York City), the Hong-Gah Museum (Taipei), Witte de With Center for Gimmicky Art (Rotterdam), the Shed (New York City) and the Gwangju Biennale (Gwangju, South Korea) among other venues.

For her PAIR with DORIS, Weist is presenting New York City's Municipal Archives as a grade of public space. To start, she is researching the municipal authorities's relationship to art and artists as documented in the city'southward Archives, looking particularly at records featuring criteria for evaluating art, surveillance of individual artists, and notes on artists' role in civic life. Weist volition employ these findings as the foundation for a series of photographic prints, and volition and then leverage the City'southward records retention procedures to ensure that these artworks become official government records and are made accessible in perpetuity. The public may view the works either by submitting a Freedom of Information request through NYC's Open Records Portal or by waiting until the physical prints accept passed through the City's archiving process, into the publicly accessible collection of the Municipal Athenaeum, which may take many years. In the terminate, Weist's projection rethinks the possibilities of site by treating the conceptual and tangible space of "the public record" as a location for intervention and display.

NYC Department OF CULTURAL AFFAIRS ANNOUNCES FOUR NEW PUBLIC ARTISTS IN RESIDENCE
Posted: April five, 2019
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"Artists equally 'Creative Problem-Solvers' at City Agencies"
Published: The New York Times, April 5, 2019
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Janet Zweig

Janet Zweig is a New York based artist working primarily in the public realm. She is currently in residence with the Mayor'south Office of Sustainability (MOS). Nature and sustainability take played a critical role in her contempo projects. These include working with a San Diego climate scientist to create a kinetic sculpture at a new library that visualizes climate change data and the vanishing of natural resources in a directly way for the community. She besides worked with engineers to create a large-calibration installation on the Sacramento River that orients viewers to drought and alluvion conditions. Her public works are installed effectually the country, and her sculpture and books have been shown widely. A Rome Prize recipient, she teaches at the Rhode Isle Schoolhouse of Blueprint.

In all of her work, Janet attempts to speak to viewers both as communities and as individuals, sometimes borer into their talents and energy to develop content. At MOS, she is using these and other art strategies to back up the office's efforts to convey to New Yorkers how they, personally and collectively, can make a positive difference in issues around sustainability. She hopes to use the opportunity to accomplish New Yorkers in a way that empowers them to drive change on a local level and understand the collective impact of their deportment on a global level.

NYC Section OF CULTURAL AFFAIRS ANNOUNCES Four NEW PUBLIC ARTISTS IN RESIDENCE
Posted: April 5, 2019
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"Artists as 'Creative Problem-Solvers' at City Agencies"
Published: The New York Times, April 5, 2019
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Source: https://www1.nyc.gov/site/dcla/publicart/pair.page